Dalam banyak kesempatan yang kita butuhkan gunakan alat yang berbeda dan aplikasi untuk menggabungkan grafik dan dengan demikian memperoleh hasil tertentu. Untuk mengerjakan gambar komposit dengan elemen dari aplikasi yang berbeda dan dalam format yang berbeda, kita perlu mengetahui karakteristik setiap dokumen untuk mengoptimalkan komposisi kami dan memberikan kualitas visual setinggi mungkin. Untuk memperkenalkan semua ini, kami akan membuat komposisi yang sangat sederhana yang bekerja dengan logo yang sebelumnya dibuat di Adobe Illustrator dan sebuah foto. Kita akan bekerja dari Adobe Photoshop, walaupun tentunya nanti kita akan bisa kembali ke aplikasi Illustrator dan melanjutkan pekerjaan kita. Untuk mulai mengerjakan tugas ini, kita harus memahami perbedaan antara bitmap dan format grafik vektor. Di Adobe Photoshop gambar raster gambar bitmap digunakan, yang didasarkan pada kisi atau kumpulan piksel. Saat bekerja dengan gambar bitmap, kumpulan piksel diedit. Format ini cocok untuk bekerja dengan gambar nada kontinu seperti foto. Masalah utama dengan opsi ini adalah hilangnya definisi dan fenomena pikselasi saat skalanya ditingkatkan. Di sisi lain, grafik vektor grafik yang digunakan dalam aplikasi seperti Illustrator, umumnya disebut menggambar grafik. Ini terdiri dari berbagai bentuk berdasarkan ekspresi matematika. Penampilannya memberikan presisi yang lebih baik, terdiri dari garis yang jelas dan halus yang mempertahankan ketajamannya saat kami memodifikasi skalanya. Ini membuatnya sempurna untuk semua jenis ilustrasi, teks, dan grafik seperti logo yang perlu digunakan dalam berbagai ukuran dan pengaturan. Langkah-langkah untuk menggabungkan grafik adalah sebagai berikut dan dijelaskan dengan tingkat detail setinggi mungkin, karena saya tahu Anda mungkin mengambil langkah pertama dengan program ini. Pertama kita akan merestart Adobe Photoshop. Kami akan mengimpor foto atau kami akan membuka file kami dalam format .psd jika kami memilikinya di menu File> Buka. Kita bisa membuka file Adobe Illustrator sebagai file baru di Adobe Photohoshop atau kita juga bisa menggunakan perintah Place atau Paste untuk menambahkannya. Ketika kita melakukan ini Photoshop akan meraster menganalisis raster Anda untuk mengubahnya menjadi gambar bitmap. Perintah Place Photoshop menawarkan keuntungan untuk memungkinkan gambar diskalakan saat masih dalam bentuk vektor, jadi mengubah skala tidak akan menurunkan kualitas gambar. Namun, jika kita memotong atau menempelkan grafik dari Illustrator di Photoshop, perubahan skala selanjutnya akan menurunkan kualitas gambar. Setelah vektor kami diimpor, kami akan menahan tombol Shift. Kami akan menyeret puncak foto dan memodifikasi ukurannya untuk menyesuaikannya dengan dimensi yang sesuai dan proporsional. Selanjutnya kita akan menyeret dengan menempatkan kursor di area tengah untuk menempatkan gambar pada posisi yang sesuai. Kita perlu memutar gambar secara halus di Edit> Transform> Rotate. Kami akan mengubah file agar sesuai dengan bentuk kotak. Pertama kita akan memotong setengahnya. Pada lapisan logo kita akan memilih alat laso poligonal dan klik di sudut kanan depan bagian atas kotak. Kami akan menyeret ke sudut berikutnya dan melanjutkan di sekitar area atasnya. Dengan Ctrl + X kita akan memotong area ini. Kami akan membuat layer baru dan klik tempel atau Ctrl + V. Pada layer baru ini kita akan mengklik menu Edit> Transform> Skew. Menyeret gagang kotak pembatas dan dengan demikian kami akan mendistorsi logo agar sesuai dengan perspektif kotak. Untuk mencapai efek integrasi yang realistis, kita dapat menggunakan mode pencampuran yang berbeda. Dengan lapisan 1 aktif di palet lapisan kami, kami akan mengubah opacity menjadi sekitar 60%. Selanjutnya kita akan menggelapkan area bawah logo sehingga memenuhi bayangan depan kotak. Kami akan melakukan ini dengan mengubah opacity area itu sebesar 70% dan memilih Multiply dari menu blending mode. Kita perlu membuat latar belakang transparan karena satu-satunya hal yang menarik bagi kita adalah kotaknya. Untuk melakukan ini kita akan menggunakan alat seleksi dan dengan itu kita akan membatasi batas kotak. Kami akan menekan Pilihan> Balikkan dan kemudian hapus atau tombol Hapus. Jika kami ingin menyelesaikan komposisi kami di Illustrator, kami dapat menggunakan file .psd. Illustrator mendukung sebagian besar data Photoshop, termasuk comp multi-layer, teks yang dapat diedit, dan jalur. Bagaimanapun, di posting selanjutnya kita akan mempelajari opsi untuk mentransfer file antar aplikasi dan pengaturan kompatibilitas antara program yang berbeda untuk mendapatkan hasil yang optimal dengan cara yang gesit dan profesional. Ingatlah bahwa dalam banyak kasus, komposisi harus diperlakukan dengan alat yang berbeda. . Isi artikel mengikuti prinsip kami etika editorial. Untuk melaporkan kesalahan, klik di sini.

Berikutadalah tutorial langkah-langkah cara membuat desain gambar vektor kacamata di adobe illustrator ai; Langkah 1. Mulailah dengan mengambil foto kacamata. Pastikan untuk mengambil pada resolusi yang cukup tinggi sehingga tidak akan pixelated bila dilihat pada ukuran lebih besar saat Anda sedang bekerja.

Illustrator User Guide Get to know Illustrator Introduction to Illustrator What's new in Illustrator Common questions Illustrator system requirements Illustrator for Apple silicon Workspace Workspace basics Learn faster with the Illustrator Discover panel Create documents Toolbar Default keyboard shortcuts Customize keyboard shortcuts Introduction to artboards Manage artboards Customize the workspace Properties panel Set preferences Touch Workspace Microsoft Surface Dial support in Illustrator Undo edits and manage design history Rotate view Rulers, grids, and guides Accessibility in Illustrator Safe Mode View artwork Use the Touch Bar with Illustrator Files and templates Tools in Illustrator Tools at a glance Select tools Selection Direct Selection Group Selection Magic Wand Lasso Artboard Navigate tools Hand Rotate View Zoom Paint tools Gradient Mesh Shape Builder Text tools Type Type on a Path Vertical Type Draw tools Pen Add Anchor Point Delete Anchor Point Anchor Point Curvature Line Segment Rectangle Rounded Rectangle Ellipse Polygon Star Paintbrush Blob Brush Pencil Shaper Slice Modify tools Rotate Reflect Scale Shear Width Free Transform Eyedropper Blend Eraser Scissors Quick actions Retro text Neon glow text Old school text Recolor Convert sketch to vector Illustrator on the iPad Introduction to Illustrator on the iPad Illustrator on the iPad overview Illustrator on the iPad FAQs System requirements Illustrator on the iPad What you can or cannot do on Illustrator on the iPad Workspace Illustrator on the iPad workspace Touch shortcuts and gestures Keyboard shortcuts for Illustrator on the iPad Manage your app settings Documents Work with documents in Illustrator on the iPad Import Photoshop and Fresco documents Select and arrange objects Create repeat objects Blend objects Drawing Draw and edit paths Draw and edit shapes Type Work with type and fonts Create text designs along a path Add your own fonts Work with images Vectorize raster images Color Apply colors and gradients Cloud documents Basics Work with Illustrator cloud documents Share and collaborate on Illustrator cloud documents Share documents for review Upgrade cloud storage for Adobe Illustrator Illustrator cloud documents Common questions Troubleshooting Troubleshoot create or save issues for Illustrator cloud documents Troubleshoot Illustrator cloud documents issues Add and edit content Drawing Drawing basics Edit paths Draw pixel-perfect art Draw with the Pen, Curvature, or Pencil tool Draw simple lines and shapes Image Trace Simplify a path Define perspective grids Symbolism tools and symbol sets Adjust path segments Design a flower in 5 easy steps Perspective drawing Symbols Draw pixel-aligned paths for web workflows 3D objects and materials About 3D effects in Illustrator Create 3D graphics Map artwork over 3D objects Create 3D Text Create 3D objects Color About color Select colors Use and create swatches Adjust colors Use the Adobe Color Themes panel Color groups harmonies Color Themes panel Recolor your artwork in seconds using a simple text prompt Recolor your artwork Painting About painting Paint with fills and strokes Live Paint groups Gradients Brushes Transparency and blending modes Apply stroke on an object Create and edit patterns Meshes Patterns Select and arrange objects Select objects Layers Group and expand objects Move, align, and distribute objects Stack objects Lock, hide, and delete objects Copy and duplicate objects Rotate and reflect objects Intertwine objects Reshape objects Crop images Transform objects Combine objects Cut, divide, and trim objects Puppet Warp Scale, shear, and distort objects Blend objects Reshape using envelopes Reshape objects with effects Build new shapes with Shaper and Shape Builder tools Work with Live Corners Enhanced reshape workflows with touch support Edit clipping masks Live shapes Create shapes using the Shape Builder tool Global editing Type Add text and work with type objects Create bulleted and numbered lists Manage text area Fonts and typography Identify fonts from images and outlined text Format type Import and export text Format paragraphs Special characters Create type on a path Character and paragraph styles Tabs Find missing fonts Typekit workflow Arabic and Hebrew type Fonts FAQ and troubleshooting tips Create 3D text effect Creative typography designs Scale and rotate type Line and character spacing Hyphenation and line breaks Spelling and language dictionaries Format Asian characters Composers for Asian scripts Create text designs with blend objects Create a text poster using Image Trace Create special effects Work with effects Graphic styles Appearance attributes Create sketches and mosaics Drop shadows, glows, and feathering Summary of effects Web graphics Best practices for creating web graphics Graphs SVG Slices and image maps Import, export, and save Import Place multiple files Manage linked and embedded files Links information Unembed images Import artwork from Photoshop Import bitmap images Import Adobe PDF files Import EPS, DCS, and AutoCAD files Creative Cloud Libraries in Illustrator Creative Cloud Libraries in Illustrator Save Save artwork Export Use Illustrator artwork in Photoshop Export artwork Collect assets and export in batches Package files Create Adobe PDF files Extract CSS Illustrator CC Adobe PDF options Document info panel Printing Prepare for printing Set up documents for printing Change the page size and orientation Specify crop marks for trimming or aligning Get started with large canvas Printing Overprint Print with color management PostScript printing Print presets Printer's marks and bleeds Print and save transparent artwork Trapping Print color separations Print gradients, meshes, and color blends White Overprint Automate tasks Data merge using the Variables panel Automation with scripts Automation with actions Troubleshooting Crash issues Recover files after crash File issues Supported file formats GPU device driver issues Wacom device issues DLL file issues Memory issues Preferences file issues Font issues Printer issues Share crash report with Adobe Improve Illustrator performance Learn how to combine objects in Illustrator. You can combine vector objects to create shapes in a variety of ways in Illustrator. The resulting paths or shapes differ depending on the method you use to combine the objects. Methods of combining objects Pathfinder effects let you combine multiple objects using interaction modes. When you use Pathfinder effects, you can’t edit the interactions between objects. See Combine objects using Pathfinder effects. Compound shapes let you combine multiple objects and specify how you want each object to interact with the other objects. Compound shapes are more versatile than compound paths because they provide four kinds of interactions add, subtract, intersect, and exclude. In addition, the underlying objects aren't changed, so you can select each object within a compound shape to edit it or change its interaction mode. See Combine objects using compound shapes. Compound paths let you use an object to cut a hole in another object. For example, you can create a doughnut shape from two nested circles. Once you create a compound path, the paths act as grouped objects. You can select and manipulate the objects separately using the Direct Selection tool or Group Selection tool; or you can select and edit the combined path. See Combine objects using compound paths. Combine objects using Pathfinder effects Navigate the Pathfinder panel You use the Pathfinder panel Window > Pathfinder to combine objects into new shapes. Pathfinder panel Use the top row of buttons in the panel to make paths or compound paths. To make compound shapes, use the buttons in those rows while pressing the Alt or Option key. Choose from the following shape modes Add To Shape Area Adds the area of the component to the underlying geometry. Subtract from Shape Area Cuts out the area of the component from the underlying geometry. Intersect Shape Areas Uses the area of the component to clip the underlying geometry as a mask would. Exclude Overlapping Shape Areas Uses the area of the component to invert the underlying geometry, turning filled regions into holes and vice versa. Use the bottom row of buttons in the panel, called Pathfinder effects, to create final shape combinations on the first click. See Apply Pathfinder effects. Shape modes A. All components in Add mode B. Subtract mode applied to squares C. Intersect mode applied to squares D. Exclude mode applied to squares Specify Pathfinder options Set Pathfinder Options from the Pathfinder panel menu or by double-clicking a Pathfinder effect in the Appearance panel. Precision Affects how precisely the Pathfinder effects calculate an object’s path. The more precise the calculation, the more accurate the drawing and the more time is required to generate the resulting path. Remove Redundant Points Removes unnecessary points as you click a Pathfinder button. Divide And Outline Will Remove Unpainted Artwork Deletes any unfilled objects in the selected artwork as you click the Divide or Outline button. Apply Pathfinder effects Pathfinder effects let you create new shapes out of overlapping objects. Apply Pathfinder effects by using the Effects menu or the Pathfinder panel. Pathfinder effects in the Effects menu can only be applied to groups, layers, and text objects. After you apply the effect, you can still select and edit the original objects. You can also use the Appearance panel to modify or remove the effect. See Apply a Pathfinder effect using the Effects menu. Pathfinder effects in the Pathfinder panel can be applied to any combination of objects, groups, and layers. The final shape combination is created when you click a pathfinder button; after that, you can't edit the original objects. If the effect results in multiple objects, they are automatically grouped together. See Apply a Pathfinder effect using the Pathfinder panel. Group together the objects you want to use, and select the group. -or- Move the objects you want to use into a separate layer, and target the layer. Choose Effect > Pathfinder and choose a Pathfinder effect. To quickly apply the same Pathfinder effect again, choose Effect > Apply [effect]. Apply a Pathfinder effect using the Pathfinder panel Select the objects to which you want to apply the effect. To apply a Pathfinder effect to a group or layer, target the group or layer. In the Pathfinder panel, click a pathfinder button in the bottom row, or Alt‑click Windows or Option‑click Mac OS a Shape Mode button in the top row. Summary of Pathfinder effects Add Traces the outline of all objects as if they were a single, merged object. The resulting shape takes on the paint attributes of the top object. Intersect Traces the outline of the region overlapped by all the objects. Exclude Traces all nonoverlapping areas of the objects, and makes overlapping areas transparent. Where an even number of objects overlap, the overlap becomes transparent. Where an odd number of objects overlap, the overlap becomes filled. Subtract Subtracts the frontmost objects from the backmost object. You can use this command to delete areas of an illustration by adjusting the stacking order. Minus Back Subtracts the objects in back from the frontmost object. You can use this command to delete areas of an illustration by adjusting the stacking order. Divide Separates a piece of artwork into its component-filled faces a face is an area undivided by a line segment. Note When you use the Divide button in the Pathfinder panel, you can use the Direct Selection or Group Selection tool to manipulate the resulting faces independently of each other. You can also choose to delete or preserve unfilled objects when applying the Divide command. Trim Removes the part of a filled object that is hidden. Removes any strokes and doesn't merge objects of the same color. Merge Removes the part of a filled object that is hidden. Removes any strokes and merges any adjoining or overlapping objects filled with the same color. Crop Divides artwork into its component-filled faces, and then deletes all the parts of the artwork that fall outside the boundary of the topmost object. It also removes any strokes. Outline Divides an object into its component line segments, or edges. This command is useful for preparing artwork that needs a trap for overprinting objects. See Create a trap. Note When you use the Outline button in the Pathfinder panel, you can use the Direct Selection or Group Selection tool to manipulate each edge independently. You can also choose to delete or preserve unfilled objects when applying the Outline command. Hard Mix Combines colors by choosing the highest value of each of the color components. For example, if Color 1 is 20% cyan, 66% magenta, 40% yellow, and 0% black, and Color 2 is 40% cyan, 20% magenta, 30% yellow, and 10% black, the resulting hard color is 40% cyan, 66% magenta, 40% yellow, and 10% black. Soft Mix Makes the underlying colors visible through the overlapping artwork, and then divides the image into its component faces. You specify the percentage of visibility you want in the overlapping colors. Trap Compensates for potential gaps between colors in artwork by creating a small area of overlap called a trap between two adjoining colors. Combine objects using compound shapes A compound shape is editable art consisting of two or more objects, each assigned a shape mode. Compound shapes make it easy to create complex shapes because you can precisely manipulate the shape mode, stacking order, shape, location, and appearance of each path included. Compound shapes act as grouped objects and appear as items in the Layers panel. You can use the Layers panel to show, select, and manipulate the contents of a compound shape—for example, to change the stacking order of its components. You can also use the Direct Selection tool or the Group Selection tool to select components of a compound shape. When you create a compound shape, it takes on the paint and transparency attributes of the topmost component in Add, Intersect, or Exclude mode. Subsequently, you can change the paint, style, or transparency attributes of the compound shape. Illustrator facilitates this process by automatically targeting the whole compound shape when you select any part of it, unless you explicitly target a component in the Layers panel. Working with compound shapes A. Original objects B. Compound shape created C. Individual shape modes applied to each component D. Style applied to entire compound shape Create a compound shape Select all the objects you want to be part of the compound shape. You can include paths, compound paths, groups, other compound shapes, blends, text, envelopes, and warps in a compound shape. Any open paths you select are automatically closed. In the Pathfinder panel, Alt-click Windows or Option-click Mac OS a Shape Modes button. Each component of the compound shape is assigned the shape mode you select. -or- Select Make Compound Shape from the Pathfinder panel menu. Each component of the compound shape is assigned the Add mode by default. Change the shape mode of any component by selecting it with the Direct Selection tool or Layers panel and clicking a Shape Mode button. Note You never need to change the mode of the backmost component, because that mode isn't relevant to the compound shape. To sustain maximum performance, create complex compound shapes by nesting other compound shapes containing up to about 10 components each instead of using many individual components. Modify a compound shape Use the Direct Selection tool or Layers panel to select an individual component of the compound shape. Look for the highlighted Shape Mode button in the Pathfinder panel to identify which mode is currently applied to a selected component. If you’ve selected two or more components that use different modes, question marks appear on the Shape Mode buttons. In the Pathfinder panel, click a different Shape Mode button. Release and expand a compound shape Releasing a compound shape separates it back into separate objects. Expanding a compound shape maintains the shape of the compound object, but you can no longer select the individual components. Select the compound shape using the Selection tool or Layers panel. Click Expand in the Pathfinder panel. -or- Choose Expand Compound Shape from the Pathfinder panel menu. The compound shape is converted to a or item in the Layers panel, depending on the shape mode it used. -or- Choose Release Compound Shape from the Pathfinder panel menu. Move compound shapes between Illustrator and Photoshop The shape layers and layer clipping paths vector masks in Adobe Photoshop are types of compound shapes. You can import shape layers and layer clipping paths into Illustrator as compound shapes and continue to manipulate them. In addition, you can export compound shapes to Photoshop. Keep the following in mind when using compound shapes with Photoshop Only compound shapes that reside at the top level of the layer hierarchy are exported to Photoshop as shape layers. A compound shape painted with a stroke using a join other than round, or with a weight in points that is not an integer, is rasterized when exported to the PSD file format. Combine objects using compound paths A compound path contains two or more paths that are painted so that holes appear where paths overlap. When you define objects as a compound path, all objects in the compound path take on the paint and style attributes of the backmost object in the stacking order. Compound paths act as grouped objects and appear as items in the Layers panel. Use the Direct Selection tool or the Group Selection tool to select part of a compound path. You can manipulate the shape of individual components of a compound path, but you can't change appearance attributes, graphic styles, or effects for individual components, and you can't manipulate components individually in the Layers panel. If you want more flexibility when creating compound paths, you can create a compound shape and then expand it. Cut a hole in an object using a compound path Select the object to use as a hole, and position it so that it overlaps the object to cut. Repeat for any additional objects you want to use as holes. Select all the objects you want to include in the compound path. Choose Object > Compound Path > Make. Apply fill rules to compound paths You can specify whether a compound path is a nonzero winding path or an even‑odd path. Nonzero winding fill rule Uses mathematical equations to determine if a point is outside or inside a shape. Illustrator uses the nonzero winding rule as the default rule. Even-odd fill rule Uses mathematical equations to determine if a point is outside or inside a shape. This rule is the more predictable rule because every other region within an even‑odd compound path is a hole, regardless of path direction. Some apps, such as Adobe Photoshop, use the even‑odd rule by default, so compound paths imported from these apps will use the even‑odd rule. Self-intersecting paths are paths that intersect themselves. You can choose to make these paths either nonzero winding or even‑odd, depending on how you want them to look. Self-intersecting path with Use Non‑Zero Winding Fill Rule left compared with Use Even‑Odd Fill Rule right When you create a nonzero winding compound path, you can specify whether overlapping paths appear with holes or are filled by clicking a Reverse Path Direction button in the Attributes panel. Fill rules A. Four circular paths B. Circular paths selected, converted into compound path C. Reverse Path Direction applied to innermost path Change the fill rule for a compound path Select the compound path using the Selection tool or Layers panel. In the Attributes panel, click the Use Non‑Zero Winding Fill Rule button or the Use Even‑Odd Fill Rule button . Change a hole in a compound path to a filled area Make sure that the compound path uses the nonzero winding fill rule. Using the Direct Selection tool, select the part of the compound path to reverse. Don't select the entire compound path. In the Attributes panel, click the Reverse Path Direction Off button or the Reverse Path Direction On button . Return a compound path to its original components Select the compound path using the Selection tool or Layers panel. Choose Object > Compound Path > Release.

CaraMudah Membuat Tulisan Melingkar Di Adobe Illustrator Desainer. Dengan cara ini Anda akan mendapatkan objek baru dengan batas yang selaras dengan wajah. Halo teman-teman pada artikel kali ini saya akan berbagi tips dan trik bagaimana cara menampilkan pengaturan guide pada adobe illustrator. Pilihan untuk mengkompress file.

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